The American Museum of Asmat Art (AMAA) collection at St. Thomas is raising its profile sky high: Through early December, travelers at the Minneapolis-St. Paul International Airport will get a look at select pieces of Asmat art on display at the Thomson Reuters Gallery on Concourse C (Terminal 1).

“In any given year, about 3,000 people visit the American Museum of Asmat Art in the Anderson Student Center on campus,” said Victoria Young, professor and chair of the Art History Program. “The MSP Airport has 38 million people through it on an annual basis. As we’ll be on display for six months, that’s 19 million people who will be on site. If 10 percent of this number strolls by … that’s 1.9 million people who might see us, and that’s not accounting for airport employees. We might just have 3,000 people looking at ‘Voyages Through Asmat Art’ on one day!”

Supported by the College of Arts and Sciences’ SOLV Initiative, the Airport Foundation MSP and the ARTS@MSP program, “Voyages Through Asmat Art: Selections From the American Museum of Asmat Art at the University of St. Thomas” opened at the beginning of June and features 52 pieces of Asmat art – including a 14’ canoe and a 7’ crocodile – and tells the story of the Asmat people who live on the southwestern coast of New Guinea.

“St. Thomas’ goal is to share the work,” said Ben Owen, director of Arts and Culture at the Airport Foundation MSP. “And our goal is to share the work to encourage people to explore more about Minnesota and the culture and art resources that are here. It’s the first time I’m aware of that MSP has had a direct connection with a museum to display its art. And this is the widest visibility this collection has ever received.”

Yohuru Williams, dean of the College of Arts and Sciences (CAS), said the CAS is dedicated to engaging and educating the community with art.

“We are thrilled to partner with MSP to extend the reach and impact of this collection by making it accessible to a wider audience,” he said.

Up, up, up

Curator Floris Lafontant '18 MA installs pieces from the Asmat Art collection at the Minneapolis-St. Paul International Airport.

Curator Floris Lafontant ’18 MA installs pieces from the Asmat art collection at the Minneapolis-St. Paul International Airport. Photo by Rod Rassman.

Not only has the exhibition raised the AMAA’s profile, it’s also provided opportunity for those affiliated with CAS’s Art History Program to work on a major art project beyond campus. Floris Lafontant ’18 MA took on curator duties, and was assisted by fellow art history graduate alumni Gretchen Burau ’16 and Amy Mickelson ’11; and graduate students Molly McIntosh, Taylor Mendez and Sam Wisneski. St. Thomas faculty and staff and the MSP Arts Foundation staff were also instrumental throughout the process.

For Lafontant, who became familiar with the AMAA collection while pursuing her graduate degree at St. Thomas, working on “Voyages Through Asmat Art” was a chance to hone her skills. She called the project an “unprecedented opportunity” to showcase Asmat art.

“I think the biggest challenge of curating this show is also what makes it an exciting space to have an exhibition,” Lafontant said. “In museum studies and museum work, we often try to identify a target audience for exhibition, which in turn influences the exhibition narrative and content. In the case of this exhibition, our audience is anyone that might be traveling through or working at MSP (airport). They might be the lone traveler or an intergenerational family. They might have mere seconds to glance at the exhibition or hours to pour over the cases. The breadth of potential visitors meant the exhibition had to be many things while also providing an interesting reprieve to travelers.”

Ultimately, Lafontant, who works as a collections technician at the Weisman Art Museum, hopes people who see the exhibition take away a newfound appreciation for an area of art and a corner of the world that might not be familiar to them. Like Lafontant, Young is excited for travelers to learn about the Asmat people.

“Art is unexpected in airports and I salute our friends at ARTS@MSP for wanting to be the best airport in the country – for celebrating the arts in many forms, from fine art to music,” Young said. “Since most travelers need to be at an airport two hours before their flights, there is plenty of time to explore. Now taking in an art exhibition is a way to pass this time. I love the fact that travelers will not be expecting to see Asmat art and that they’ll learn a great deal not only about the beauty of art, but just as important, about the role the art plays in the everyday life of the Asmat people.”

“The American Museum of Asmat Art at St. Thomas exists because a Catholic missionary in Indonesia, a member of the Crosier Order, Bishop Alphonse Sowada, recognized the dignity of the Asmat people as expressed in their art,” added Jerry Brennan, AMAA chair. “He used that art as a tool to remind us of the importance of appreciating and commemorating the dignity of every human being. To have a portion of the Sowada Collection displayed at MSP is a bold statement of that same principle by the University of St. Thomas.”

Works from "Voyages Through Asmat Art" on View at the Minneapolis-St. Paul International Airport through Dec. 1, 2019.

Works from “Voyages Through Asmat Art” on view at the Minneapolis-St. Paul International Airport through Dec. 1, 2019. Photo courtesy Airport Foundation MSP and Arts@MSP.


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One Response


    Hello, I went to the Crosier Monastery in Hastings, NE in 1992, for Therapeutic Touch classes. It was amazing to spend the weekend at the monastery, which, sadly, has since closed. One of the brothers showed us the museum there, which was a somewhat large room. Nothing was behind glass then. :) I remember thinking that I was so glad I did not have to wear the clothing of the Asmat people. Too scratchy! lol! But, what a fun time we had with the Brother.
    We were not supposed to roam around the monastery, which, naturally, encouraged me to roam. I was walking down a short hall and suddenly came upon a large statue of Our Lady of Miracles. It floored me. Literally. I just fell to the floor there and stayed for a while.
    I cannot remember the Brother’s name, but he was quite the character! He had a great sense of humor and even snuck us in to show us his room. It was pretty much a bed and a crucifix. The monastery was not set up for older Brothers. They only had one elevator, and that was a freight elevator. It was also mentioned that the rooms did not have individual bathrooms in one article. Well, duh, it was a monastery, not a Holiday Inn!
    I am so glad that you have the collection now.
    Blessings to you!


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